Monday, June 27, 2011

Home Again

you gave your body to the lonely
but you took everything from me
you were making plans about
making better plans about
taking life in your own hands
how'd that work out for you?
you gave your body to the lonely
you even gave it all to me
falling, failing, wondering
we cry ourselves to sleep
hoping for the bodies of the lonely
maybe that's all we need
Stevens says a man
gave his life to the lonely
He sounds like a better man than me.

Athena

Hello darling is the exclamation
when memory finds its way
to the writer's desk in your
head.

Growing old and retired is never the plot,
but I would pen my life away
if you would do the same.
We will wake to waking light with our
writers' desks pressed together
brush hair with my fingers
no fear of hurting you with
gentleness

there is a sea of paper rocks
surrounding me in need of cleaning
or burning. The kindling could
warm a home if it had a spark,
and I've yet to find
the fire man that carries matches
or a pen and paper to write down
the names of burn victims, just to watch
them blacken and become ash like everything
in the end.

There is no one absurd enough to marry itself
to the idea. I am the painting they couldn't
save when the White House burned down.
That's the fear locked away
so far from civilization
married to others because it
seems so frail and weak
but it's the most dangerous thing in my pocket
being forgotten, insignificant, lost to time,
never having mattered to anyone at all.
That's the sweat-stained, crying, writing,
painting, burning
absurd.

I'd hate to show you what I write in my head
because there are too many suicide notes,
but you know that because you wrote
the same thing, only you wrote it before.

As I die on the floor of a room that wasn't even mine,
you smile down at me.
I can't hold on.
Light me as the beacon to incoming
ships, though I only want one to be there when I'm
ready to leave.

I write as many wishes as notes, you know
play God when I wake fifty years hence
and you're next to me because you won't be a day
older than today, you're immortal
Athena, wisdom, victory
I'll whisper to you all the secrets
a man can learn if you'll put
me in my place with all of the cabinets, drawers,
and cupboards your craftsman made before I knew
what type of creature you were.

Yes the bedroom floor is fine for me
I'd sleep anywhere to be near you even
on the end of a sword, spitting up
the last cardinals that tweet in the
breeze of my breath.
That would be find with me, because the last thought
taking the stage
will be a white and glowing, naked
form of the most precious immortal.

My eyes, they won't leave that sight
even after the quieting of the
earth-quaking applause.

Cranes

Their mouths whisper close to each other
Two cranes wrap their legs around
It's summer, always summer
For the cranes
Winter is the other man, yet
there is but one mouth
Moving, never speaking
Fatal scent in the air
Destruction is a putrid word
And hope is not in my lexicon
The other man was Napoleon
Never conquering cranes
Sacrificial lambs to the forces that
Haven't begun to speak
This is no complaint
It's about cranes that cannot migrate
Because they don't know how.

Hope - Not Really

I need it
the trumpet blast of hope
like the overpass addicts
eyes rolling into their heads
to stare at the graffitied walls
supporting their crooked spines
while the shiny car-ed obliviates
pass by thinking the convulsing
hobo is about to sprout wings
and bring back the Christ-child

Blind,
caves of urban walls, slums shanties
piling people in to the cattle car
I'm scared of the dark to come
it's the fear and revulsion
from the thought of a razor
pressing down down down
into goose bump-painted flesh
I don't know what you do
anymore.

Not anymore, with
diamonds and gold
worth more than faith in something
everything to nothing is all you've ever
asked for. A shame I won't give it
as many wouldn't condemn another
to piss themselves warm
and eat others for sustenance
but that happened already
there's hope for your dreams yet.

The Shed

The pebbles dance along the strings like her feet
along the worn wooden floor. At once it was
apparent on an awestruck summer's eve
that Molly and Mary would never be found
hiding in Grandpa's old tool shed. Pebbles
plucking the heart strings of a girl as they tap
lightly on the window pane, one could
mistake it for rain but for her hopeful imagination
The air is filled with the buzz of yellow
fireflies, winking on and off then on and off.
They are the prancing pebbles along cricket
orchestras. She used to dance quite often.
And Molly and Mary kissed for the first time,
hoping never to be found. But she stopped dancing
for us when Grandpa opened the shed.
Then again, still, when she left the curtains
blowing in the wind.

Red Dress Alone

glancing 'round I see a full moon
pale against the dark suits of others
you are wrapped in red as if to tell me
all at once of love, of fire, and of a wound.
But my wife-to-be is cloaked in white
like your face, so pure, but there is
no hurt in this one's virgin dress
those craters lie somewhere
behind your eyes, she has none.
If not for pride, you would not set foot
in this quaint, little chapel. They would
burn you for the witch you are, licentious
and cold. Cold as the void that you filled once
now bled dry. "Because power is more than
any poor politician or capitalist could ever
dream up," you said. I can hear you
whispering that through eyes, black
with deepest hidden hate. I laughed
nervously at that then.
Now you are just a ghost of a ghost. You
haunt yourself. And I know because of
the late night calls that are silent
but for the almost concealed tear,
forming the diamond on her finger.
There is nothing left to say now.
The vows are read and I look into whole
eyes of the most warm, lacquered wood
and sigh such relief that I was right, "power
is the satisfaction I get from walking away."
She and I kiss to cheers and clapping
but it's silent to me because someone's hands
are still as death. They think this is
a funeral. Turning to look, I realize
you were never there at all.